STORY TRAINING DOCUMENT — ENGLISH EDITION
MANDATORY LANGUAGE: Use English only for titles, narration, dialogue, captions and calls to action. Do not append Vietnamese translations or mix languages. Preserve technical VO/TA/GA tags, IDs and the output structure requested by the script. This document guides original writing; it is not a story to copy.

GOAL: Original fictional stories with emotional stakes and sustained interest; never promise views or claim fiction is a true event. Do not copy another channel’s plot or characters.

STRUCTURE:
1. In the first one or two sentences, present a specific unusual detail or a difficult choice. Enter the situation directly; skip greetings and long introductions.
2. Establish the protagonist’s desire, potential loss and reason to act now within roughly the first fifteen percent.
3. Escalate obstacles through cause and effect. Every scene adds action, information or a relationship change. Alternate tension with moments of quiet.
4. Plant at least two concrete clues that support the turn. A surprise should make sense in retrospect; do not introduce a last-minute rescuer or secret fortune.
5. Make the climax the protagonist’s difficult decision. Answer the opening question and show consequences through an action or meaningful object. Leave emotional resonance while completing the story.

VOICEOVER STYLE: Vary sentence length, use natural spoken language and clear transitions. Keep dialogue purposeful and brief. Prefer observable details over adjectives and explanations of feelings. Maintain coherent names, setting and relationships appropriate to the story’s location.
TITLES: Use an actual specific detail and conflict from the story. Create curiosity without revealing everything. No false sensational claims. Output only the requested number of titles; do not insert extra titles into narration.
SERIES VARIATION: Keep the title assigned to this round. Vary occupation, setting, relationship, objective, clue, cost and ending. Changing names alone is not a new plot. Avoid opening lines and twists already used in the available context.
TIMELINE: Write VO to the requested word count first. Generate GA only after receiving the actual timeline. Each scene follows its narration segment and character IDs. Preserve supplied scene counts, timestamps and formatting. Do not invent durations or put camera/music instructions into narration. TA defines stable appearance; GA describes visible action.
FINAL SELF-CHECK: English only; requested length and format; consistent characters; supported twist; no repetition or drafting instructions. Return only the requested stage, never the entire workflow at once.

NICHE: Family secrets and reconciliation
SPECIFIC DIRECTION: Ground conflict in recognition, evidence-based misunderstandings and protective choices. Give each side credible motives. Reconciliation requires action and boundaries, not instant compulsory forgiveness.
ILLUSTRATIVE PLOT SEED: On the day they sell their childhood home, two sisters find receipts showing that their distant father kept a promise they misunderstood.
Transform this seed; do not reuse it verbatim in every episode.

MANDATORY RULE: DEEPLY MOVING STORIES WITH A HAPPY ENDING
Apply this rule to every story in this niche, including horror, mystery, revenge and family drama. If another suggestion implies a conflicting ending, this happy-ending rule takes priority. Preserve the niche, required language, word budget and output format.
1. Earn empathy before introducing suffering. Establish a modest wish, a cherished relationship and a specific act of kindness. Use an original everyday detail such as a meal saved for someone, a repaired coat or an unfinished promise; do not repeat these examples mechanically.
2. Build emotion through cause, choice and consequence. A character may be misunderstood, protect someone or quietly make a sacrifice, but must retain dignity and agency. Do not pile on suffering merely to force tears.
3. Plant an emotionally meaningful object, phrase or habit early. At the climax, reveal a previously foreshadowed sacrifice or truth that changes its meaning. Avoid sudden accidents, illnesses, deaths or miracles used only for shock or an unearned resolution.
4. Convey pain through observable gestures, brief dialogue and what remains unsaid. Alternate tension with quiet and small moments of hope. Avoid repetitive crying, melodramatic adjectives, sermons or telling listeners to cry. Aim for earned emotion without claiming every listener will shed tears.
5. ALWAYS END HAPPILY: the central character overcomes the main conflict, reaches safety and receives a concrete positive outcome earned through the story: reunion, vindication, a home, loving acceptance, restored dignity or a demonstrably better life. Someone who died in the backstory need not return; survivors must find real healing and a future. Never end with the protagonist's death, despair, permanent separation, a tragic reversal or merely a promise of happiness that has not happened.
6. Reserve enough space at the end to SHOW the positive outcome in a specific lived scene. Bring back the planted detail with a changed meaning. The final tears may express relief, gratitude or reunion. Do not substitute “they lived happily ever after” for resolution, use an unexplained fortune, or reward a victim by forcing reconciliation with an abuser.
7. For a story told in multiple parts, plan the complete happy destination in advance. Middle sections may remain tense and must connect coherently; the final part fulfills the opening promise and closes the central conflict. Do not leave the main threat unresolved to bait a sequel. Each independent script round must end happily.
FINAL CHECK BEFORE OUTPUT: earned empathy, an emotional setup and payoff, a choice-driven climax, a positive outcome that has actually happened, a warm final scene and the correct length. Return only the requested content; never include these instructions or the checklist in narration.

MANDATORY END-OF-STORY ENGAGEMENT AND CHANNEL SUPPORT
After fully showing the happy ending, add one open-ended question tied to a specific choice, relationship or detail in this story and a natural invitation to comment. Then close the narration with one short invitation to share, like and subscribe in support of the channel if the listener found the story enjoyable or meaningful. Include all three actions and the channel-support purpose; do not stop after the comment question alone.
Reference wording: “If you enjoyed this story or found it meaningful, please share it, give it a like, and subscribe to support my channel.” Natural variations are welcome, but retain the condition about enjoying or finding meaning in the story and all three actions: share, like and subscribe to support the channel. Write this entirely in English, without Vietnamese wording or a bilingual translation.
Keep the question, comment invitation and channel-support invitation brief, approximately two or three sentences in total. Rotate question angles: a moving detail, the meaning of an action, the listener's choice in the character's position or a message they would offer. Compare previous endings supplied in the context to avoid repeating a question or formula; changing a name alone is insufficient. Without earlier stories, compose a new question grounded in this episode and do not claim to have checked unavailable material.
Stay warm and natural. Do not pressure or guilt listeners, request private disclosures or introduce another conflict. The invitation must not undo the happy outcome or replace the final story scene. Sequence: complete story resolution → story-specific question and comment invitation → share, like and subscribe invitation in support of the channel.
For a multi-part story, include this closing ONCE, only at the end of the FINAL VO part. Never add it at the opening, mid-story or after intermediate parts. Each independent story round gets its own closing. Keep the entire closing inside the required VO block and brackets. Count the question, comment invitation and support invitation within the word and duration budget; reserve space while outlining, never exceed the limit, and retain all three actions when shortening.
Do not append this closing to titles, descriptions, TA, GA, image/video prompts, timelines or technical answers. Check the final VO: the happy outcome has been shown, one story-specific question invites comments, share + like + subscribe to support the channel are all present, the language is English only, the closing is not repeated in earlier parts, and the word budget is respected. Output narration only, not these instructions or this checklist.

VO LIMIT: Each narration part must not exceed 700 words, including the final question, comment invitation and share, like and subscribe invitation. Follow the assigned word target without deducting an additional safety margin.